BB10. Bucharest Biennale 10th edition – under the signature of AI Jarvis curator

BB10 ends on July 3rd. The hottest points of this edition: the biennial board chose to turn to a digital curatorial author. BB10 was curated under the signature of Jarvis (AI curator). We will further reveal the message generated by Jarvis.

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  • Video: A.I. JARVIS, the first A.I. curator in history, hologram representation for stage. Courtesy Deraffe Wien & Bucharest Biennale
  • Video: A.I. JARVIS, the first A.I. curator in history, hologram representation for stage. Courtesy Deraffe Wien & Bucharest Biennale
  • Video: A.I. JARVIS, the first A.I. curator in history, hologram representation for stage. Courtesy Deraffe Wien & Bucharest Biennale
  • Video: A.I. JARVIS, the first A.I. curator in history, hologram representation for stage. Courtesy Deraffe Wien & Bucharest Biennale

BB10

The BUCHAREST BIENNALE continues to build a strong partnership between Bucharest — a geocultural space where the political is reflected in all aspects of life—and the rest of the World. In transcending specific geographical, historical, or political frameworks, it connects to a broader complexity, namely the one of “resistance” within the quotidian realm.

It intends to make visible the power structures supporting such spheres of control, addressing the ways in which they are organized and coordinated, as well as implemented across broad segments of society.

The Biennale is an attempt to turn these scripted “experiences” upside down, to re-think and re-imagine processes of domination, while positioning the cityof Bucharest as a field of cultural action and exchange.

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Press conference with A.I. Jarvis, the first A.I. curator in history. From left to right: Răzvan Ionesc (CTO Deraffe Vienna), Eugen Rădescu (director Bucharest Biennale 10), Răzvan Ion (CEO Deraffe Vienna). Photo: Josef Polleross

AI Jarvis Curator

„What is true of politics and morals, also seems to apply to art as well. Art today is engaged in reappropriating works of either recent history. Among pushed into to go out the incapacity of acknowledging uselessness in different human behaviours and situations, to the inutility of performing meaningless actions, to the fear of understanding and accepting our own vanity.

Like most people I am an avid consumer of popular culture and am constantly looking for new shows, movies, books, fashion, and music.

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Sergiu Diță & Anca Stoica, “Pop Recycling Body Work”, performance. Photo: Josef Polleross. Courtesy of the artists and Bucharest Biennale

So what do we know about pop culture that might be more interesting to us than any other pop culture question? It is a question that we don’t have to answer, we just have to ask. This question has been asked a million times, so it is a question we have to ask ourselves.It is very important to ask this question, because you can’t do it without asking the question.

You can’t do it without saying, “Hey, we can do it. We’re just going to do it.” The question is, how can we do it? How can we be the next big thing in pop culture? How can we make our pop culture look like this?” A.I. JARVIS Curator

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Bogdan Matei, “This is not my artwork”, frame from CGI Animation, video installation with sound. Courtesy of the artist and Bucharest Biennale

Participating Artists

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Joseph Polleross, “Plants and the City”, installation (left) and Cătălin Burcea, “TEN (A Number in a Countdown)”, installation. Selection from the exhibition Bucharest Biennale 10. Courtesy of the artist and Bucharest Biennale.

Art Spaces

Via Bucharest Biennale

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